The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Tuesday, August 11, for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall.
The
production will run through Sunday, August 30 with an official press
opening on Monday, August 24. Bank of America returns as lead sponsor
of Shakespeare in the Park 2009.
The cast features George Bartenieff as Cadmus; André De Shields as Teiresias; Jonathan Groff as Dionysus; Karen Kandel as Chorus Leader; Joan MacIntosh as Agave; Anthony Mackie as Pentheus; Steven Rishard as Cowherd; Rocco Sisto as Messenger; and April Armstrong, Sullivan Corey, Marisa Echeverria, Tara Hugo, Jennifer Ikeda, Jennifer Nikki Kidwell, Alexa Kryzaniwsky, Vella Lovell, Nana Mensah, Ereni Sevasti, Elena Shaddow, and Han Tang in the Greek chorus.
Akalaitis'
visionary interpretation of THE BACCHAE, with a lush score by Glass,
re-imagines the classic story about what happens when a government
attempts to outlaw desire.
THE BACCHAE will feature scenic design by John Conklin; costume design by Kaye Voyce; lighting design by Jennifer Tipton; sound design by Acme Sound Partners; and soundscape by Darron L West.
George Bartenieff
(Cadmus) is a three-time OBIE winner who has appeared at The Public in
The Memorandum, The Increased Difficulty of Concentration, Trelawney of
the "Wells," Dead End Kids, American Notes, Cymbeline, Stuff Happens, and Romeo and Juliet. He made his Broadway debut at the age of 14 opposite Uta Hagen in The Whole World Over and most recently starred in Edward Albee's The American Dream and The Sandbox at the Cherry Lane Theatre.
ANDRÉ
DE SHIELDS (Teiresias) is a two-time Tony nominee and the recipient of
an OBIE for Sustained Excellence. He appeared at The Public in Dancing
on Moonlight (1995) and on Broadway in Impressionism, The Full Monty,
Prymate, Play On!, Ain't Misbehavin', and The Wiz. His recent
off-Broadway credits include the Classical Theatre of Harlem's recent
production of Archbishop Supreme Tartuffe and their acclaimed revival
of Langston Hughes's Black Nativity (The Duke on 42nd Street) as well as the title role in their 2006 production of King Lear.
Jonathan Groff (Dionysus) returns to The Public after recently playing Gray in Craig Lucas's
The Singing Forest (OBIE Award) and the role of Claude in the
Shakespeare in the Park revival of Hair. He received Tony and Drama
Desk nominations for his performance in Spring Awakening on Broadway
and is featured in Ang Lee's new film Taking Woodstock.
Karen Kandel
(Chorus Leader) appeared at The Public in Carl Hancock Rux's play Talk,
for which she shared a special OBIE Award with the rest of the
ensemble. She also won an OBIE Award for her performance as The
Narrator in Liza Lorwin's Peter and Wendy at the New Victory Theater and recently played The Woman in JoAnne Akalaitis's production of Beckett Shorts at New York Theatre Workshop.
Joan MacIntosh (Agave) is currently in The Public's production of Suzan-Lori Parks's
Father Comes Home From The Wars (Parts 1, 8 & 9). The recipient of
five OBIEs, including one for Sustained Excellence, Macintosh's many
credits include The Public Theater Productions
of 365 Days / 365 Plays, Macbeth, All's Well That Ends Well, Cymbeline,
Julius Caesar, A Bright Room Called Day, Dispatches, and Alice In
Concert.
Anthony Mackie
(Pentheus) can currently be seen in the acclaimed film The Hurt Locker.
He most recently performed at The Public Theater in The Good Negro for
Public LAB and his Broadway credits include Drowning Crow and Ma Rainey's
Black Bottom. His off-Broadway credits include A Soldier's Play;
McReele; Talk (OBIE Award); Topdog/Underdog; and Up Against the Wind.
His film credits include Notorious; Eagle Eye; Bolden; We Are Marshall;
Ascension Day; Crossover; Half Nelson; Freedomland; Heavens Fall;
Million Dollar Baby; The Man; The Manchurian Candidate; Haven; She Hate
Me; Brother to Brother (Indie Spirit/Gotham Award Nominee); Hollywood
Homicide; and 8 Mile.
STEVEN
RISHARD (Cowherd) is an Artistic Associate with Division 13 Theater
Company, where he has performed in The Genet Project and Cascando. His
other New York credits include Big Love at the Wilma Theater and In the
Penal Colony at Classic Stage Company.
At Chicago's Court Theater, Rishard performed in Learned Ladies, The
Real Thing, Fair Ladies at a Game of Poem Cards, Life's a Dream, La
Bete, Gross Indecency, and A Midsummer Night's Dream.
Rocco Sisto (Messenger) has a long history with The Public Theater including the 1982 production of Hamlet, Len Jenkin's My Uncle Sam, Richard Foreman's What Did He See?, The Winter's Tale (1989, OBIE Award), Michael Greif's 1990 revival of Machinal, JoAnne Akalaitis's
production of ‘Tis Pity She's a Whore, All's Well That Ends Well
(1993), The Merry Wives of Windsor (1994), Stuart Greenman's Silence,
Cunning, Exile, and George C. Wolfe's 1998 production of Macbeth.
JoAnne Akalaitis
(Director) is the winner of five OBIE Awards for direction (and
sustained achievement) and founder of the critically acclaimed Mabou
Mines in New York. In addition to the A.R.T. - where she directed
Endgame and The Balcony - she has staged works by Euripides,
Shakespeare, Strindberg, Schiller, Beckett, Genet, Williams, Philip Glass, Janacek, and her own work at Lincoln Center Theatre, New York City Opera, Goodman Theatre, Mark Taper Forum,
Court Theatre, Opera Theatre of Saint Louis, and The Guthrie Theater.
She is the former artistic director of The Public and was artist in
residence at the Court Theatre. Akalaitis was the Andrew Mellon
Co-chair of the Directing Program at Juilliard School, and is currently
the Wallace Benjamin Flint and L. May Hawver Flint Professor of Theater
at Bard College. She is the recipient of a Guggenheim Fellowship,
National Endowment for the Arts grants, Edwin Booth
Award, Rosamund Gilder Award for Outstanding Achievement in Theatre,
and Pew Charitable Trusts National Theatre Artist Residency Program
grant.
Philip Glass
(Composer). Distinguished as one of the greatest composers of our time,
Glass' repertoire includes opera, dance, theatre, orchestra and film.
Lauded for Einstein on the Beach and Music in Twelve Parts, Glass is
renowned for the score of Koyaanisqatsi and the Academy Award-nominated
Kundun, directed by Martin Scorsese.
Premieres in 2002 include Symphony No. 6 (Plutonian Ode) with text by
Allen Ginsberg and the opera Galileo, Galilei directed by Zimmerman;
his other works for opera include The Voyage, featuring a libretto by David Henry Hwang, and Satyagraha (revived at the Metropolitan Opera in 2008).
NICHOLAS
RUDALL (Translation) is Professor of Classical Languages and
Literatures, Committees on General Studies in the Humanities and
Ancient Mediterranean World, and the College at the University of
Chicago, where he has taught since 1966. He specializes in Greek drama,
and has translated numerous works by Sophocles, Euripides, and
Aristophanes. His translations and adaptations are published by Ivan R.
Dee of Chicago, for whom he is co-editor of the Plays for Performance
Series with longtime friend and colleague Bernard Sahlins.
Rudall is known particularly for his work with prominent Shakespearean
David Bevington, with whom he created and co-taught a two-quarter
sequence entitled "History and Theory of Drama".
This summer, The Public will again offer a limited number of free tickets through a Virtual Line, available at www.publictheater.org.
The process will be the same as last year; the day of a show, users can
log on to the virtual line anytime between midnight and 1 p.m. the day
of the show. After 1 p.m. that day, users can log on to see if they
have been awarded tickets through the Virtual Line, which they can then
claim at the Delacorte Theater Box Office between 4:30 p.m. and 7:30
p.m. that evening.
Summer
Supporter seats for THE BACCHAE are available for a tax-deductible
contribution of $170. These reserved seats are only available for a
limited time to ensure that the highest number of free seats will be
available to distribute to the general public on the day of the show.
Summer Supporter tickets help to underwrite production expenses.
Supporter tickets area available now at The Public Theater Box Office
at 425 Lafayette Street; online at publictheater.org; or by calling (212) 967-7555.
For additional information about Shakespeare in the Park, visit The Public Theater website at www.publictheater.org
The cast of the new Off-Broadway production Girls Night: The Musical will preside over the closing bell at NASDAQ MarketSite July 24.
