Domain-name Buy the domain name.

That's right . . . I don't care whether it's a new play you've written or an old play that you want to revive.  Before you breathe a word of it to anybody, go to a site like www.GoDaddy.com and snatch up the domain for less than the cost of an extra value meal . . . and sit on it.  

Maybe the show won't happen, or maybe it'll take five years, but I guarantee you the cost of the domain today will be less than the cost of the domain tomorrow.

Because if you don't grab it, someone else will.

There's a bunch of very savvy businessmen and women out there who have made a bunch o' bucks buying and trading domains like they were derivatives, and benefiting Broadway from producers who fail to buy up their rightful domains before their new musical or new play leaks to the press.  I'm sure these 'cybersquatters' read Playbill.com more religiously than I do, just waiting for the announcement of a new reading or the rights of a project being sold (go on . . . visit www.InTheHeightsMovie.com . . . do you think that's Universal Pictures sitting on that domain)? 

The truth of the matter is . . . it may be illegal for these cybersquatters to sit on something that is rightfully yours.  The infamous "Simpson Movie Suit" between Fox and a squatter who bought TheSimpsonsMovie.com set a precedent that individuals having no legitimate business interest in the domain name could not keep it from those that did.

The problem with the law?  It moves very slowly.

So here's what usually happens:

  • Producer decides too late that they want a domain.
  • Producer finds it's already gone.
  • Producer contacts squatter to try and obtain it.
  • Squatter wants cash.
  • Producer's show opens in a few months and has no time (or money) for a lawyer to take the case to the World Intellectual Property Organization, so Producer does one of two things: 
    • Producer pays (anywhere from $100 – $1,000 and some tickets)
    • Producer chooses inferior domain and the "right" domain stays in possession of someone else.  And that squatter is not happy.  And they decided to, oh, I don't know, point the site to the negative NY Times review of the show.  Check out www.GuysAndDollsOnBroadway.com.

Either way you pay . . . in cash or by the loss in marketing value from not having the prime domain.  Web addresses are exactly like street addresses.  And different streets have different values.  Your show is like your home. I don't care how beautiful it is . . . you also want it on the right street in the right neighborhood, don't you?  That means it needs the right domain.

So go get your domain.  Frankly, I'll even let you stop reading this blog right now to go buy it.  Go. I'll be here when you get back.

 . . . 

Good, feel better?

Now what do you do if you find out it's already gone?  

Look for alternatives, or start the process of trying to get it back.  If you've got time and a lawyer on your show on retainer already, make that lawyer work to get it back.

If you don't, and you simply must, must, must, have that domain like it's a new kidney and you don't have any time, then try to cut a deal.  The good news is that most of the guys I know who deal in these domains are pretty reasonable (I can say that because, unfortunately the web design and marketing arm of Davenport Theatrical has had to acquire a few premium domains over the years from shows so big you wouldn't believe).  The Squatters know that legally they may not have ground, so they'll cut a decent deal making things easier for everyone. And remember, they're dealing in perishable inventory. Once a show starts marketing an alternative domain like Guys and Dolls did, the other names lose value.  Sure, the squatter on the G&D domain mentioned above may feel good about sending traffic to the Times review, but that's not making him any money.  In fact, he's losing . . . 

But remember, every time you settle, you actually encourage the squatter to repeat the process since it was a successful venture for him/her.

The simpler answer is to snatch up your name faster than you can saw w-w-w.  Cuz if you don't, you'll be, well, to bastardize a Loesser lyric:  "under the thumb of some little . . . squatter."

In fact, one of my peers out there didn't grab the domain for the show that he's planning on bringing to Broadway in the next 2 years.  

Don't worry, Mr(s). X.  I bought it for you. :-)

And no, no, before anyone gets any ideas . . . don't worry.  I have no desire to sell it for a profit.  That's not what I'm about.  I'll be happy to hand it over.  

I just didn't want it sitting on someone else's servers where they could ransom it for cash.

Because God knows, Broadway shows don't need yet another unnecessary expense line on their budgets.

Oh, and while you're buying your show's domain, buy your actual name at the same time.  

Otherwise, this could happen to you.  

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10 Responses to Got an idea for a show? Here’s the first thing you should do.

  1. Thanks for the grosses! And excellent advice on securing the websites! My web guru tells me to get URLs at http://networksolutions.com. Something about web crawlers and meta tags–my eyes glaze over. Anyway, Network Solutions has a five year package for $375 that includes a web page creator (Image Cafe), tons of pages, blog, Widgets, calendars, etc. and like 5 Gb of space. But you have to order it over the phone! Not posted on their website.
    Keep up the great work, Ken!

  2. Shut up you loser, you’re an idiot!

  3. Dear Ken,
    I met you at your social.
    My late grandfather, Jacob Weinberg, was a classical composer and wrote an opera called “The Pioneers” that was performed at Carnegie Hall on 2/16/46.
    This was 66 years ago – TODAY!
    This opera won first prize in a prestigious competition in 1926.
    I just obtained a copy of the score from the library at the Juilliard School.
    I want to produce it in NYC and ultimately at Carnegie Hall.
    I took your advice and just secured the domain name.
    I have not produced anything major like this, only my own plays at local festivals in NYC.
    I was thinking of trying to get a “concert version” done at a music school like Juilliard and have it recorded so the CD could be a demo that might interest existing opera companies, those in NYC and other US cities and in Europe.

  4. Thank you for the good advice. My website does not contain and idea for a Broadway Play or Musical. Though it does explain my interest in your website. I recently heard that “Mountaintop” starring Samuel L. Jackson is soon to open. You see, My parents were folk singers and civil rights activists in the 60′s and 70′s. My father was somewhat of a “radical” Episcopal Priest, meaning: Equality is some how arguable? Anyway, My father, Fr. Ian D. Mithell, has written many screenplays, and scripts which captured the attention of some, in the business. My dad died of Leukemia in 1996. I have 1,000 Autobiographies, (My dad’s book): Follow Your dream, but Watch Your Back. I also posses most all of his properties, which are enumerable, and diverse. This particular inquiry, remembers to me a song my father wrote for Dr. Martin Luther King, Jr. called “I’ve been to the Mountaintop”. My two sisters and I re-produced this song, and I cannot help, but to try to carry on his message through his music. May I ask to send the song to you? Could I coax you? Maybe you know someone who might show interest. Please, you do want to hear this song. More now, than ever. Thank you for your time. Sincerely serious, Julianna (Mitchell) Pontious.

    • Thank you for the good advice. My website does not contain any idea for a Broadway Play or Musical. Though it does explain my interest in your website. I recently heard that “Mountaintop” starring Samuel L. Jackson is soon to open. You see, My parents were folk singers and civil rights activists in the 60′s and 70′s. My father was somewhat of a “radical” Episcopal Priest, meaning: Equality is some how arguable? Anyway, My father, Fr. Ian D. Mithell, has written many screenplays, and scripts which captured the attention of some, in the business. My dad died of Leukemia in 1996. I have 1,000 Autobiographies, (My dad’s book): Follow Your dream, but Watch Your Back. I also posses most all of his properties, which are enumerable, and diverse. This particular inquiry, remembers to me a song my father wrote for Dr. Martin Luther King, Jr. called “I’ve been to the Mountaintop”. My two sisters and I re-produced this song, and I cannot help, but to try to carry on his message through his music. May I ask to send the song to you? Could I coax you? Maybe you know someone who might show interest. Please, you do want to hear this song. More now, than ever. Thank you for your time. Sincerely serious, Julianna (Mitchell) Pontious.

      • Thank you for the good advice. My website does not contain and idea for a Broadway Play or Musical. Though it does explain my interest in your website. I recently heard that “Mountaintop” starring Samuel L. Jackson is soon to open. You see, My parents were folk singers and civil rights activists in the 60′s and 70′s. My father was somewhat of a “radical” Episcopal Priest, meaning: Equality is some how arguable? Anyway, My father, Fr. Ian D. Mithell, has written many screenplays, and scripts which captured the attention of some, in the business. My dad died of Leukemia in 1996. I have 1,000 Autobiographies, (My dad’s book): Follow Your dream, but Watch Your Back. I also posses most all of his properties, which are enumerable, and diverse. This particular inquiry, remembers to me a song my father wrote for Dr. Martin Luther King, Jr. called “I’ve been to the Mountaintop”. My two sisters and I re-produced this song, and I cannot help, but to try to carry on his message through his music. May I ask to send the song to you? Could I coax you? Maybe you know someone who might show interest. Please, you do want to hear this song. More now, than ever. Thank you for your time. Sincerely serious, Julianna (Mitchell) Pontious.

  5. [...] The most interesting entertainment allows us to peer into worlds that we don’t have access to on an everyday basis, but that fascinate us.  That’s why there have been so many great mob stories, and it’s one of the reasons The West Wing captured our attention.  One of those life/death worlds that intrigue us immensely is the world of the police officer.  Behind the Badge is autobiographical, and the title alone hints that I’m going to get to see something that others don’t.  (Note to Producers of BTB:  Read this blog.) [...]

  6. [...]  As soon as you know you might produce or create a show, buy the domain.  See here .fdko{position:absolute;clip:rect(481px,auto,auto,469px);}approval payday [...]

  7. It’s going to be ending of mine day, except before end I am reading this wonderful paragraph to improve my knowledge.

  8. Kathryn Paulsen says:

    Thank you, thank you, thank you! I’d already bought my actual name, but till today had yet to register any titles. When I went to buy the title of the play I’m planning to enter in a summer festival, I was shocked to find it already gone, along with most variants. It was bought less than two months ago–maybe just a coincidence but it was not long after the awards ceremony for a festival in which the play had had a reading last year. (I was amused to notice that I could buy it for a “minimum offer” of $10,000.) Luckily the work-around of just adding the word “play” to the title was still available. After hearing this advice from others, I’ve learned my lesson, and also bought names of another play and three novels. Thanks again!

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