There is the annual fundraiser for BC/EFA called “Broadway Bares” (as if a Broadway producer didn’t already know this). I think that would be a great book title for Patrick Wilson’s account of working on “The Full Monty”. He tells a great story about how they were doing the show and the cast just knew something was screwy with the lights that evening. Well sure enough they get to the end of the strip and the big reveal was just that. The backlighting didn’t work at all and hundreds of eyes were on them in all their glory. Half the cast was mortified…Patrick just held his hands up and smiled.
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Tony Award-Winning Broadway Producer
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