Ever want more hours in the day? I’ve got some for you.

Fill in the rest of this sentence . . .

If only I had 4 more hours in the day, I would _____________________.

What did you say?  Finish your musical?  Write a screenplay?  Run 2 miles/go to church/spend more time with your kids?

Time is the most valuable asset in the world.  It’s about a billion times more valuable than a billion dollars.

See, you can always make more money.  But you can’t make more time.

In fact, without getting all morose on you . . . the time you have left on this planet to accomplish all those things you dream about doing . . . is tick, tick, ticking away.

That’s why it’s essential to make the most of each hour you have in each and every day, especially if you’ve got theatrical dreams in addition to a day job.

And, well who doesn’t?

If you’re like me, then you’ve probably got lots of stuff you want to do . . . and you’re constantly struggling to find time to do it.

I started creating and producing theater while I was still working a survival gig, and I had to figure out how to squeeze in those necessary hours to pursue my dream in and around that job.

Over the years, I’ve gotten a bit busier, (self-induced, I’ll admit, because I’m addicted to the theater!) and I’ve had to get even better at it, even though it’s now my full-time profession/obsession.

As a result, it’s not uncommon for me to get the question . . . “How do you find the time to do all the stuff you want to do?”

It’s an easy answer.

I studied how to do it.

Optimizing your time, finding efficiencies in your schedule, figuring out what to focus on and what to forget about . . . these are all learned skills.  Over the past ten years, I’ve devoured book after book and listened to speech after speech to figure out what makes the most productive people tick . . . and how they got more out of each and every tick of the clock.

And thanks to that study, and some of my own “special sauce,” the last year of my life has been one of my most productive (and most fun) . . . with even more good stuff to come (just you wait for a super big announcement coming via Instagram soon).

I’m going to share the strategies I’ve learned and used daily in an online workshop on Wednesday, October 18th at 7 PM called “Getting  @#$% Done:  Time Management for Artists or for Anyone.”

In the webinar, I’m going to explain how to find more time in your day to do the things you want to do, so you can get to where you want to be . . . faster.

And if you want to be a success, learning this stuff is a must.

Because in this business, since development can take such a long time, and you’re never quite sure what is going to “hit” until it’s in front of an audience, your probability of success is directly related to the amount of your output.  That’s why we all have to find ways to do more . . . in the same amount of hours (Edison invented thousands upon thousands of things . . . but we only remember him for just a couple – and those couple were more than enough to put him in the history books.)

This workshop is only available to members of TheProducersPerspectivePRO.  And when you sign up for this workshop, you have 20+ hours of others absolutely free.

Look, if you were ever thinking about taking one of my workshops, this is the one.  Because none of the other stuff that I teach actually matters, unless you can find the time to action it.

This workshop will teach you how to do just that.

Sign up here.

And together we’ll find the time that you need to accomplish what you put in that blank at the beginning of this blog together.

Getting  @#$% Done:  Time Management for Artists or for Anyone
Wednesday, October 18th 7 PM
(Can’t make this date?  A complete recording will be made available to you.)

Register now.

You’re invited to our first . . . Shut Up and Write!

The world . . . and this city . . . and especially this business . . . are full of talkers.

There are so many people with ideas for plays, musicals, apps, inventions and even plans for how to fix healthcare.

But as I wrote about here, ideas are worth jack shipoopi.  What matters is doing something with your idea.

Believe it or not, I struggle with action-ing my ideas too.  You should see the list of the stuff I want to make, build, write, etc.  That’s why I’m constantly searching for new ways to trick myself into motion.

And one of the best methods of motivation I’ve learned over the years . . . is to schedule time for what I want to do, schedule a place for what I want to do, and surround myself with a community of people who want to do the things I want to do.

Because there is energy in numbers.  (This is why we created PRO.)

That’s why, on Saturday, October 14th from 10 AM – 1 PM, we’re hosting our very first “Shut Up & Write!”

If you don’t know what “Shut Up & Write” is . . . it’s exactly what you think it is.  You show up at a space, along with a whole bunch of other people, you stop talking about your ideas, and you start writing them.  It’s at a set time, it’s in a place nowhere near your TV, and you’ve got folks around you that are succeeding and struggling with the same things you are.

Wanna come?

I promise that by the end of the session, you’ll be further along with your project than you were when you walked through the door.

Our SU&W will be held right here in midtown Manhattan at a location only disclosed to those who sign up.  All you have to bring is your laptop/tablet/pad of paper, a positive attitude, and your desire to turn an idea into something tangible.  It can be something you’re working on or something brand new.  It can be anything.

We’ll provide the space, coffee, AND my Director of Creative Development and Dramaturgical superstar, Eric Webb.  Eric will hold Professor-like ‘office hours’ during the session, so you can ask questions about your project if you’re stuck.

Oh, there’s one more thing you have to do . . . register.

Because we can only take a limited number (we don’t have Yankee Stadium for this).

When you register, you’ll see that our SU&W is not free.  It costs a whopping $3.65.

How did we get that weird/specific number?

It’s the price of a Grande Latte at Starbucks.

Why are we charging that?

Because I’d bet that many of you spend at least that at a Starbucks every single dang day.

And if you’re willing to spend $3.65 on a beverage, but not willing to invest $3.65 into an action plan that will get you out of the house and get you further along with your project, then, well, no offense, but we don’t want you at our Shut Up & Write.

But if you want to write . . . and if you are smart enough to know that sometimes you need a little help from your friends to get you to your goals and fast . . . then sign up for our Shut Up & Write today.

We’re going to have some fun, meet some cool folks, and get some @#$% done.

See you there.

TheProducersPerspective’s SHUT UP & WRITE
Saturday, October 14th
10 AM – 1 PM
Midtown Manhattan Location disclosed to participants only.
Register here for the price of a coffee.


Podcast Episode 131 – Second City’s Kelly Leonard

Great improvisers make comedy look so easy.  They just hit jokes out of the park like hanging curve balls.

But as Kelly Leonard explains in this week’s podcast, improv is one of the most challenging forms of performance on the planet.

That’s why the good ones, like Tina Fey, Stephen Colbert, Mike Myers, etc. all go on to superstardom.

But before that, they all started at Second City in Chicago.

Kelly Leonard has been running the show at Second City for decades, and he saw those three I just mentioned and so many more, pay their dues on his stage.

I’m a big believer that one of the best ways to lay the groundwork for any show is through improvisation (it’s how I created my first show, The Awesome 80s Prom, and how I wrote my next show, Gettin’ The Band Back Together)so when I ran into Kelly in Chicago, I said to him . . .

“Kelly, will you be on my podcast?”

And he said . . .

“Yes . . . and . . . ”

Listen to Kelly and I improv some Q&As on all subjects such as:

  • What improv is great at . . . and where it fails.
  • Is a dramatic improv possible?  (Hear what happened when he tried one.)
  • How improv has changed in the era of Political Correctness.
  • The art of writing . . . FAST!  And how to do it well.
  • Why improv is being studied by academics and what it could mean for society’s future.

By the way, if you didn’t get that “Yes . . . and . . .” reference above, then you should read Kelly’s book and also take an improv class because it will improve your acting, your writing . . . and your life!

Enjoy the podcast!

Click here for the link to my podcast with Kelly!

Listen to it on iTunes here.  (And if you like the podcast, give it a great review, while you’re there!)

Download it here




What Whole Foods and Broadway have in common

I just got back from a three-day Digital Marketing conference where I learned about the latest and greatest tools in e-technology, what AI is going to do to e-commerce, and why email is STILL the best form of marketing on the planet.

Oh, and if only I had a dollar every time someone said that Amazon was the devil, I’d never have to raise money for a show ever again. (Ironically, that devil has a lot of worshippers, since everyone at the conference shopped on Amazon, and half of the attendees sold something on Amazon . . . including me!)

In one of the many conversations we had about Amazon, we got around to how they owned Whole Foods.  It was odd . . . here was a big digital company, that owned a big Brick and Mortar.  Why?

Because they are more similar than you think.

They both are in the middle of the customer and the creator.

The #1 frustration that Sellers who distribute their products to Whole Foods or Amazon have was that they couldn’t communicate with their customer.  Since their customers mostly purchased through WF, or through Amazon directly, the Sellers never had access to their address, email address, buying habits, etc.

Sound familiar?

Broadway sells tickets through third parties as well (although none of them are as good as Amazon or Whole Foods in servicing the needs of the customers – and that isn’t a knock on our ticketing companies, by the way – it’s just that Amazon and Whole Foods are that good).

So what do we do?

Well, it’s a problem.  And a big one.

Because ironically, as everyone talked about Amazon taking over the world at this conference, the theme of the conference was also . . . BE CUSTOMER-CENTRIC.

How can we be customer-centric if we can’t talk to them?

I Instagrammed last week a favorite quote from Jimmy Nederlander who said . . .

If they don’t let you in the front door, go down the chimney.

And this is what you’re going to have to do to survive in any industry going forward, but especially if you sell tickets, board games, or jalapeno milkshakes through a third party seller like Amazon, Whole Foods or Ticketmaster.

Here are three questions to ask yourself to help you down your customer’s chimney:

  1. What are you doing to capture your customer’s information on your website?
  2. What are you doing to capture your customer’s information at your venue?
  3. What are you doing to capture your customer’s information on your social channels?

The key to efficient marketing is not having to pay to message your most qualified leads.  Third parties make it hard.

But not impossible.

Consider yourself challenged.

– – – – –

Want more marketing tips from three of my favorite marketing gurus?  Join us at our conference and hear from Broadway and Off Broadway Marketing Directors Sara Fitzpatrick, Amanda Pekoe and Amanda Bohan, and many more.  Click here and sign up now!

Are There Rules to Writing? This Oscar Winner Thinks So.

One of the many awesome things about the internet is that you can learn how to do anything or learn how to improve something you already know how to do by tossing a few keystrokes into Google.

There are free videos galore on YouTube (Did you know that “how to” vids on YouTube get 4x the views of animal videos?), as well as tons of paid learning opportunities from colleges, experts on any subject, and more.

My staff and I have studied on Lynda.com, GreatCourses.com, and my latest favorite, MasterClass.com.

Yeah, they cost some money . . . but education on any subject has the best ROI on the planet (I met someone recently who told me they wanted to learn how to speak Spanish, but wouldn’t spend the money to buy an online training course . . . and then the dude told me how he went to Vegas and blew a wad of cash at the Blackjack table. #PrioritiesPeople).

Anyway, I di-grant. (That’s digress and rant smooshed together.)

The most recent course I’ve taken on MasterClass.com is a screenwriting class taught by Aaron Sorkin.  No, no, I’m not looking to pen the next Pulp Fiction.  But Aaron is a guy that has written successful plays, successful TV shows and successful movies . . . and that says to me he’s a guy that understands how to tell a story.  And getting better at that will make me a better Producer/Writer/Blogger/Marketer/Anything.

I’m only about halfway through the course, which cost me $90, and already I’ve gotten a whole bunch of truth bombs (as well as some fun West Wing stories).

But my favorite so far was the session I watched yesterday when Aaron talked about the rules of writing.  He preambled that so many artists he runs into think that creating art of any kind is so freeing because there are no “rules.”  On the contrary, he insisted . . .

Rules are what make art beautiful.  Without them, you’re just finger painting.

Is that a Sorkinism or what?

He referenced Aristotle’s Poetics (of course), and I was reminded of my favorite blueprints for writing anything, The Writer’s Journey and Steve Cuden’s Beating Broadway (I liked that book so much, I ‘booked’ Steve for my upcoming conference).

And I agree with Aaron 101%.  And whatever rules Aaron pays attention to, all of the rest of us lay-writers need to pay twice the attention to.

But I will offer one suggestion to free up those who feel restricted by any rules.  Write what you want to write.  If you run into problems, consult the rule books.  Don’t do the reverse.  Writing “by the rules” becomes writing “by the numbers.”

Go.  Write.  And then, if something isn’t working, go back and check your favorite rule book.

– – – – –

Want to learn more about the rules of writing and get your script in the best shape it can be?  Forget paying a high priced dramaturge.  Learn how to be, as Aaron calls it, “a diagnostician” and diagnose the issues with your script yourself!  I’m teaching a one-hour online course on TheProducersPerspectivePRO next Wed, 9/13/17 at 7 PM on the most common faults I’ve seen in the hundreds of scripts I’ve read and how to address them.  It’s only for PRO members, so click here to join. 

Can’t make it on the 13th?  It’ll be available for viewing “on demand” for all registrants the very next day.

Get more info here.