Podcast Episode 205: Our Season Finale Mashup! In case you missed . . .

And in the blink of a podcast, our fall season has vanished like the leaves on the trees.

It’s been an exciting few months of podcastin’ for us and when I thought about how best to wrap up this season, I thought . . . what would Happy Days do?

Some of my favorite episodes of my favorite childhood sitcoms like Happy Days and Different Strokes and Silver Spoons (I so wanted to be Ricky Schroeder) were the compilation episodes that tied together the best scenes from the best episodes of the series.

So that’s what we did for you!

For this season finale, we mashed-up clips from all of our guests throughout the season!  Listened to them already?  Be reminded of some of the truth bombs and greatest lessons.  Missed an episode? This is a chance for you to get the cliff notes!

You’ll get some of the top takeaways, stories, and maybe even me beatboxing.

Listen in and hear:

  • Anthony Veneziale’s key to success when starting out

  • Ali Stroker’s “ninja patience” and how she gets through any challenge that comes her way

  • How building a career outside of Broadway helped Mara Isaacs to see Broadway differently and why she wants to maintain her “outsider status” for as long as she can

  • Why Alan Cumming feels it’s so important to not try to pretend to be perfect all of the time

  • And much, much more!

Enjoy . . . and if you like this mashup idea, let me know and we’ll do it again!

  • Click above to listen on the episode!

  • Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)

  • Download it here.

Thank you to Julie Halston, Mark Sendroff, Stephanie Lee, Susan Blackwell, Adam Gwon, Anthony Veneziale, Ali Stroker, Mara Isaacs, Charlotte Wilcox, Ken Cerniglia, Glen Kelly, and Alan Cumming for joining me on the podcast this season!

If there’s anyone you want to hear from next season, let me know. I want to bring in who the listeners want to hear. Message me your requests on Instagram and I’ll do my best to get them on the podcast next season! And while you wait for us to come back (mark your calendars!) on February 24th, catch up on the rest of the 200+ episodes here!

Thanks, Terry Knickerbocker, for supporting this episode. Terry Knickerbocker Studio offers a two-year acting conservatory, workshops, studio rentals, one-on-one coaching, beginner acting classes, and the best actor training in New York. For more information, visit terryknickerbockerstudio.com.

The final #SongWriterOfTheWeek for the 2019 season is . . . Kerrigan-Lowdermilk! And my good friend and Godspell company member, Lindsay Mendez is singing their song called Hand in Hand from their immersive house party musical THE BAD YEARS. If you like what you hear and want to learn more, check out www.kerrigan-lowdermilk.com or @kerrigan_lowdermilk on Instagram.

Happy holidays and “see” you back on the podcast for the spring season in February!

Podcast Episode 204: Tony Award Winning Actor and Artrepreneur, Alan Cumming

Soap.

That’s how this episode kicks off . . . with a conversation about soap.

Not just any soap, mind you.  Alan Cumming’s soap.  Like not his bar of Ivory . . . like his actual branded and sold on shelves, soap.

So you see, Alan Cumming truly has done everything.

And what’s amazing is, as you’ll hear in one of my favorite podcasts of my 200+ episodes, he’s only just getting started.

I knew when I saw him in Cabaret back in 1998 that I was watching something . . . well . . . beyond.  Then I had the pleasure of producing his one-man Macbeth on Broadway and realized that Alan was not just an actor . . . he was a Super Hero of an Artist.  

We talked about Cabaret, Macbeth, and a whole host of things on this podcast about acting, art, getting recognized in public, success, failure, running nightclubs, and yes even those bars of soap (and how you can get them), as well as:

  • How he still gets nervous and how he deals with those nerves.
  • Why he is working on a solo dance piece . . . when he is NOT a trained dancer.
  • How being vulnerable is what gives him confidence.
  • The importance of actors being able to “turn it on.”
  • Why artists feel the need to leave on the edge of fear (and why he wants to do a documentary about it).

This episode is a must for all TheaterMakers out there, because Alan is one of the most successful makers of art . . . his own way . . . that is.

Here’s how to listen!

  • Click above to listen to this episode!
  • Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)
  • Download it here.

This week’s #SongWriterOfTheWeek is Joey Contreras! Check out his song “Joyride” from his latest EP, “Joyride.” It’s available on iTunes/Spotify/Apple Music. If you like what you hear and want to learn more, check out www.joeycontreras.com or @joeycontreras on Instagram.

This episode is brought to you by Sunlight Studios. With 8 bright and spacious studios for rent, you can rehearse your next Broadway hit knowing you’re in good hands. To book a studio today, please visit www.sunlightstudios.com. Use Code DAVENPORT to receive a 5% discount on bookings until January 2, 2020.

And when you’re done listening to the podcast, go listen to Alan’s cabaret song and story show, Legal Immigrant on Audible!

Podcast Episode 203: The Score Whisperer, Glen Kelly

Ever wondered how to arrange a big Broadway score like Spamalot? 

This week’s guest has the ability to take a score and blow it up into a big Broadway musical that we all know and love. Maybe you’ve even heard of a few he’s done like, oh I don’t know, The Book of Mormon, The Producers, Beauty and the Beast

He’s extremely well-known, yet a bit of a mystery . . . who I like to refer to as “The Score Whisperer” . . . Mr. Glen Kelly!

What’s unique about Glen is that he’s got a ton of different titles for his credits . . . from dance music arrangements to music supervision to incidental music.

So, if you want to listen in and hear us discuss:

  • How he wants to do “Musical dramaturgy” and what that is exactly 
  • How he taught himself the piano and musical theory without ever having any musical training 
  • The most common thing he adjusts when he first gets a score
  • The importance of adding space and giving the audience a chance to process during a song
  • What is was like to work with Mel Brooks on The Producers
  • What Broadway was like when he came to New York in the 80s and how it has changed

If you’re looking for a master class in musical arrangement, this one’s for you. Enjoy!

  • Click above to listen to this episode!
  • Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)
  • Download it here.

This week’s #SongWriterOfTheWeek is Angela Sclafani! Today we’re playing a song called “I’ll Save You the Waltz” and it is from Angela’s musical The Other Side of Paradise. If you like what you hear and want to learn more, check out www.angelasclafani.com or @angelasclafani on Instagram.

This episode is brought to you by Terry Knickerbocker Studio. Terry Knickerbocker Studio offers a two-year acting conservatory, workshops, studio rentals, one-on-one coaching, beginner acting classes, and the best actor training in New York, period. For more information, visit terryknickerbockerstudio.com.

Podcast Episode 202: The Dramaturg for Disney, Hadestown and more, Ken Cerniglia

I’m gonna be honest . . . I never liked the idea of a dramaturg.  “That’s what a Director is for,” I thought. “And a Producer!”

Then, I realized that my “dislike” of something was based on the fact that I really didn’t understand what the heck a dramaturg was.  (Most things in life that we don’t like (including people, btw) are just because we don’t know what they are really about.)

That’s why I decided to have one of the leading dramaturgs in our business, Mr. Ken Cerniglia on the podcast to help explain to me and to all of us TheaterMakers exactly what a dramaturg does and why they are so important for every show, from a new play in a regional theater to a big ol’ Broadway show.

Listen in and hear Ken talk about:

  • What a dramaturg is and how you become one.
  • The most common note he gives to writers.
  • What his 15 years at Disney taught him about successful storytelling.
  • How Hadestown morphed over the years and how he assisted in the process, without over-assisting in the process.
  • The common elements that all stories for the stage need to be “successful.”

If you’re a Writer, Director, Producer or anyone with a script, this podcast has buckets of tips on how to make that script better.

So listen to the other Ken now!

  • Click above to listen to this episode.
  • Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)
  • Download it here.

P.S.  Ken has just agreed to lead one of our Writer’s Groups this year!  Click here to apply today!

This week’s #SongWriterOfTheWeek is Ben Diskant and Sami Horneff! Today we’re playing a song from their musical The Pirate Princess, “We Could Be Pirates”. If you like what you hear and want to learn more, check out www.bendiskant.com and www.samihorneff.com.

My pal Justin Guarini (you may have met him at The Super Conference this weekend) wants to help you nail your next audition! Justin will help you create a unique and memorable vocal performance that blows your competition out of the water. Visit www.JustinGuarini.com for more information!

Podcast Episode 201: Broadway Powerhouse General Manager and Tony Winner Charlotte Wilcox

 

Here’s a fun fact of Charlotte Wilcox’s career that will give you an idea of who she is and the scope of her career:

Charlotte has worked on every single Broadway production of Grease since the original, including all the revivals (and even a possible next revival which she told us on this podcast is in the works).

She has worked on close to a hundred different shows in her 50 years (!) in the biz, and is arguably the Broadway GM with the most experience working today.

She’s a Management Idol.

She also was the first GM I worked for, gave me a couple of jobs early on in my career (I was the kid who got the wine for the office on Fridays at 5), and then GMed Godspell for me in 2011.

We squeezed those 50 years of experience into this one podcast, where we talked about:

  • The “learning by doing” method versus getting a degree, and why NOT having an MBA or JD might actually HELP in this business.
  • What has changed the most over the past 50 years that has affected the bottom lines of the budgets that she creates?
  • Why some shows should close much earlier than they do . . . like they used to.
  • How she started as a “secretary” and how she felt as a woman coming up in this biz . . . and the challenges she faced along the way.
  • What Broadway Producers could do differently to ensure more success.

General Managers are like the “Generals” in a war . . . they plan everything.  And Charlotte has fought more battles than most of us could fight in five lifetimes.

Prepare for a master class in the biz of Broadway when you listen to this . . .

  • Click above to listen to this episode.
  • Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)
  • Download it here.

This week’s #SongWriterOfTheWeek is Max Vernon! Today we’re playing Max’s song “Some Kind of Paradise”. If you like what you hear and want to learn more, check out Max on Instagram @frauleinsallybowels or www.maxvernon.com.

This episode is sponsored by Curtain Call! Curtain Call is the platform for all theatre professionals; onstage or backstage, creative or cast, producer or theatre. You can network easily AND look for work. You can view and apply for jobs directly through the platform. Just go to curtaincallonline.com to sign up. They also have an awesome Instagram page – with incredible photography @curtaincall.

Ken Davenport
Ken Davenport

Tony Award-Winning Broadway Producer

I'm on a mission to help 5000 shows get produced by 2025.

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