Podcast Episode 7 – Todd Haimes

 

Everyone on the commercial side of the industry thinks the non-profits have it so easy.  They can take donations, stars will work for scale, and so on.  I had a feeling there was another side to this story, which is why for Episode #7, I went to the King of all Non-Profits, Mr. Todd Haimes, the Artistic Director of arguably one of the most powerful non-profit theaters in the world, the Roundabout Theatre Company.

How did the Roundabout become one of the most powerful non-profit theaters in the world?

Two words.

Todd Haimes.

It was under Todd’s leadership that the theater emerged from bankruptcy, acquired three (!) Broadway houses, and expanded its mission to produce classic musicals which eventually yielded productions like Cabaret with Alan Cumming.

So how did this all happen?  You’ll find out on this week’s podcast, where Todd tells me . . .

  • Why he’s an Artistic Director that doesn’t direct.
  • The three seminal moments that made Roundabout what it is today.
  • How Roundabout almost went bust . . . more than once, and how his gut turned it around.
  • Why never having a “master plan” was the best plan anyone could ever make.
  • Why he hates premium pricing.

After listening to this podcast, you’ll not only realize how challenging it is running a non-pro in this city, but you’ll also realize how lucky the Roundabout is . . . and how lucky the theater is . . . to have Todd in charge.

Click the link above to listen.

Click here to listen and subscribe on iTunes.

Download it here.

Click here for the transcript.

Podcast Episode 6 – Michael Riedel

If you don’t know Michael Riedel and his twice weekly gossip column in the NY Post, well, you’re going to be hooked now.  Every Wednesday and Friday, the entire biz scoops up the Post just to read his scoopy column, where he breaks news, busts chops, and builds careers . . . all in a couple hundred words or less.

But there’s a lot about Michael that you may not know, which is why I sat down with the writer for Episode 6 of my podcast.  And over a 45 minute chat, Michael talked about:

  • Why he never wanted to be a reviewer.
  • What it was like having Arthur Miller work for him.
  • Where he gets his gossip.

And more!

Click the link above to listen,  listen to it on iTunes here (And give me a rating, while you’re there!), read the transcript here, or download it here.

Podcast Episode 5 – Drew Hodges

 

There aren’t too many people in the world that have worked on the advertising and marketing for more Broadway shows than Drew Hodges and his industry leader of a company, SpotCo.  Just look at their credits!

If you asked me what the one skill I think a modern day Producer should have, it’s marketing . . . which is why this podcast is a crucial one for you to listen to.  Listen to Drew talk about . .

  • His process for creating the art for a show.
  • What he thinks about research and focus groups.  Are they future?  Or should you forget about ’em.
  • How Producers should work with their agencies, and how they shouldn’t.

Are you ready for your magical marketing master class?

Listen on iTunes here.  (And give me a rating, while you’re there!)

Download it here.

Click here to read the transcript.

Podcast Episode 4 – Terrence McNally

 

Tony Award winning playwright Terrence McNally is celebrating his 50th year on Broadway, and you can bet he learned a lot of what to do and what not to do along the way.  And he shared some of that with me, so I can share it with you.  In addition, hear him talk about . . .

  • How he spent his first night in New York City (I’ll give you a hint – he saw a show)
  • The difference between writing a play and a musical
  • How new playwrights can get discovered

. . . and so many more pearls, he’d make an oyster jealous.

So listen in, my friends, whether you’re a writer or not, Terrence has a lot he can teach us all.

Click above to listen.

Listen on iTunes.

Download it here.

Read the transcript here.

Podcast Episode 3 – Nina Lannan

 

I’m one of the fortunate folks who have had the pleasure of working for Broadway GM and Executive Producer Nina Lannan, when I held the Company Manager post on Thoroughly Modern Millie and Gypsy.  (In case you didn’t know, Nina is the co-founder of Bespoke Theatricals and has a line of management credits longer than the lines at women’s restroom at intermission that include all sorts of shows from Cats to Mamma Mia! and the upcoming School of Rock.)

Listen to the podcast and hear Nina discuss:

  • How Cats went more than a million dollars over budget, and couldn’t pay their bills.
  • The difference between producing/managing in The West End compared to Broadway.
  • The importance of not getting pushed around, even if you make a mistake.
  • What super long running show she’s budgeting for a revival right now – that’s right guys, Nina gives us some scoop!

This 30 minute podcast is like a master class in General Management training.  Don’t miss it.

Click above to listen . . . and don’t forget to subscribe!

Download it here.

Read the transcript here.

SIGN UP BELOW TO NEVER MISS A BLOG

X