Advice from an Expert: Vol. XVII. My Mother The Theatergoer.

There’s always a lot of talk about the Tonys in the weeks that follow the big show.  What numbers were successful?  Could we give the plays more attention and still hold the audience’s attention?  And who fit Katie Holmes into her dress?

But the most important question for the Producers out there is . . . after watching the Tonys, what shows does the public want to see?

All of us in the industry debate this question like crazy.  But what do we know?  Most of us don’t have a clue what it’s like to be a family of four from the suburbs interested in seeing a show on their next long weekend.  In fact, I would wager that the people making the product in our industry and the people seeing the product are more different than in most industries out there.

But that doesn’t stop us from guessing.

I was in the middle of a heated discussion about my own guesses on what the public wanted to see last week, when I realized it was time to go to the source.  I decided to go to what most advertising agencies would describe as the model of a “traditional” theatergoer:  a suburban female in her 50s-60s who sees 3-5 shows per year, mostly musicals, and pays full price.

And that theatergoer is my momma.  And she’s literally been in my backyard this whole time!

I called Mom, who, of course, had tuned in to the Tonys, and asked her if she would write a mini-blog for me about her perspective on this year’s show.  Most specifically, I asked . . . “Mom, after watching the Tonys, what shows do you want to see the next time you are in town?”

Here’s what Mom had to say . . . [my comments are in brackets] “I watched the Tony Awards a few nights ago.  I love the excitement, costumes, music – even the speeches.  I often get ideas about what I’d like to see on our next NYC trip.  Before I tell you what shows captured my attention from the way they were presented at The Tonys, I thought you might find it interesting to get a few additional details about my perspective (and some of these Kenneth doesn’t even know).  [Yes, she, and about three other people on the planet, call me Kenneth.]

  • My first theater experience was 50 years ago when I saw Annie Get Your Gun.  When the stage curtain opened, revealing a real live horse . . . I was hooked!  [When people see things on stage that they don’t expect to see: kids, animals, helicopters, it elevates the experience.]
  • As a teenager, I was addicted to buying show albums, and also listening to show songs popularized by famous artists.  I loved those album covers and the summaries of the shows on the back (King and I, Mame, etc.)  [Oh, if only popular artists were covering our tunes today.]
  • I was a teen in the ’60s, which put me in the proper emotional state to grasp the power of music.  It brought people together, challenged their thinking and even caused them to take action (Hair, West Side Story, Jesus Christ Superstar).  

And now, here are the shows that I wanted to see and the ones that didn’t interest me (there were many other shows that I had no opinion on – I’d have to learn more before putting them in the “to see” or “don’t see” category).  It’s important to remember that this is based solely on what I saw on the Tonys.  I might not see any of these shows, or I might see them all.  A lot of things may change my mind before I get to New York next, including what Kenneth thinks I might like to see or not.  [Good ol’ fashioned Word of Mouth trumps all, and I can’t believe she called me Kenneth twice in this blog.]

SHOWS I REALLY WANT TO SEE!

Memphis:  The music and the dancing were so exciting, this is at the top of my list.  (I have to admit that ‘Listen to the Beat’ sounded like Hairspray‘s ‘You Can’t Stop The Beat.’ but I loved the music and the dancing in that show, too!)  [Music, dancing . . . the keys to an audience-pleaser of a musical.]

Fela!:  I love the costumes, the music and the dancing.  The story (about using music to communicate) also seemed very interesting to me.  [See her comment about growing up in the ’60s.  What our audience lived through helped make them who they are today and influences what they want to see.]

Million Dollar Quartet:  Loved the music and the story idea and Levi Kreis’s performance.

Red:  I really liked the premise about the importance of art and what I saw of both Alfred Molina and Eddie Redmayne.  [Mom was disappointed to hear she wouldn’t get a chance to see this show because of its limited run.  I told her if she was disappointed, imagine how the Producers must feel.]

NAH, I’LL PASS

American Idiot:  To me, it seemed like a concert, and not a show.  I’ve heard about Green Day because my other son is in the music business, but I’ve never listened to any of their music before.  The music was interesting to me, but I’m not going to play it in my car anytime soon.

A Little Night Music:  I don’t know this show very well, so I can only base my thoughts on what I saw, but I wasn’t inspired.  I love ‘Send In The Clowns,’ but I didn’t learn anything else about the show through the performance.”
So there are Mom’s Tony Award Takeaways.

Now please remember, this is only one Mom’s opinion. And the opinions expressed here by my Mom are solely my Mom’s and do not necessarily reflect the views and opinions of Moms everywhere or even me.

But she’s a Mom with a Mastercard, and she uses it to buy tickets.  So maybe we should listen to all of the Moms out there more than we listen to those of us on the inside of the business.

So . . . what did your Mom think?

[Update:  My mom came into the city this weekend unexpectedly.  Although she wanted to see Memphis, she ended up getting Chicago tickets instead (and special thanks to Michael at the Ambassador BO for helping her out).  Why?  “I thought your step-father would enjoy it more.”]

The Tony Awards beat me to this blog.

The theme of this year’s Tony Awards opening number was the current overwhelming number of songs on Broadway stages from the popular musical canon.

Well, dangit, that’s what I was going to say!

But it’s more than just this year’s crop.  While leaving American Idiot a few weeks ago, I walked through Times Square and looked at all the marquees.  Connections to popular music are all over the Great White Way in one way or another.

Let’s look at all the book musicals (in alpha order) currently playing on Broadway and connect the popular dots:

A Little Night Music

Stephen Sondheim is not considered a “popular” composer, but ALNM features his only major pop hit “Send In The Clowns,” of the over 800 songs he has written.  It won a Grammy for ‘Song of the Year’ in 1976.

American Idiot

Composed by punk-rock super-group, Green Day, the album of the same title also won a Grammy for ‘Best Rock Album.’

Billy Elliot

Composed by rock superstar (and sometimes Rush Limbaugh supporter), Elton John, who has more Grammys than a retirement home.

Chicago

What do I have to say about this composing team?  How about this:  two words repeated.  “New York, New York.”  That popular enough for you?

Come Fly Away

Speaking of NY, NY, Come Fly Away is all pop tunes sung by pop legend, Frankie S.

Everyday Rapture

This bio musical uses pop tunes to tell some of its story.

Fela!

Fela Kuti’s tunes may not have been featured on morning radio in this country, but in his homeland, his pioneering sounds were all the popular rage.

Hair

The astrological tune, “The Age of Aquarius,” held the #1 spot on the charts for 6 weeks and is listed as the 57th Greatest Song of All Time according to Billboard.

In The Heights

I got nothing on this one, except for the obvious influence of pop music of the time on the score.  So far, that’s 8 out of 9 with a direct connection to the pop world.

Jersey Boys

A bio-musical about one of the most popular guy-groups ever, who sold more than 175 million records.

La Cage aux Folles

Not only did “I Am What I Am” rank on the charts, but Herman had a hit with “Hello Dolly” in 1964 when the Louis Armstrong recording knocked The Beatles out of the #1 spot!

Mamma Mia!

The gold-record standard of the jukebox musical still has ’em dancing in the aisles and grossed almost $800 million last week, almost 9 years after its opening.

Mary Poppins

The Sherman Bros have should get an award for having so many awards. Oscars, Grammys, Golden Globes, and more.  Their supercalifragilisticexpialidocious songs have been sung by the masses for years.

Memphis

David Bryan, the composer of Memphis is the keyboard player for a little known band called Bon Jovi.

Million Dollar Quartet

Some of the greatest classic rock tunes, and classic rock characters, are featured in this jukey musical.

Next to Normal

Outside of his musical theater work, Composer Tom Kitt is the founder of The Tom Kitt band, and his work on American Idiot led him to be hired by Green Day to provide arrangements for their latest album, 21st Century Breakdown.

Promises, Promises

Promises Composer Burt Bacharach has written 70 Top 40 hits in his lifetime, including “I Say A Little Prayer For You” and “A House Is Not A Home” which were both integrated into this revival.

Rock of Ages

Mamma Mia but with 80s tunes.

South Pacific

How many covers of songs can a composer/lyricist have?  R&H’s tunes were all over the place in their day, and are still used in pop culture today.

The Addams Family

Like In the Heights, there’s no real strong connection to the pop world here.  That makes 18 out of 20 with direct connections to the pop music world.

The Lion King

Another one by Sir Elton.

The Phantom of The Opera

Andrew Lloyd Webber is like a modern day R&H when it comes to his theater songs becoming standards.  Streisand, Manilow, and Mathis are just a few of the folks that have covered and scored hits with “Memory” alone.

West Side Story

Leonard Bernstein was successful in the popular idiom in another way . . . the classic way.  He grabbed a couple of handfuls of Grammys in his day, including one for Lifetime Achievement.  He wrote for the movies, for shows, for choruses, and more.  His stuff was everywhere.

Wicked

What Andrew Lloyd Webber is to the UK is what Stephen Schwartz is to America.  He is our most popular successful composer, with Grammys and Academy Awards and more, oh my.  “Day by Day” was a Top 40 hit, and he has even written songs for Five For Fighting.

There you have it.  24 musicals on Broadway and 22 of them with direct connections to the world of popular music.  Some looser than others, I’ll admit. And some are chicken-egg questions (Did their pop success come from the theater work or vice-versa?).

But my point is not that you need to be a successful pop artist to be a successful Broadway composer.  In many of the cases above, the Broadway success came first.

What I am saying is that the overwhelming lack of degrees of separation between successful Broadway composers and the world of pop music suggest that there may be a characteristic that binds the two.

And that characteristic is melody.

So if you’re a composer looking to get a show up on Broadway, you might want to make sure your songs have some similar characteristics to what’s on the radio.  I can’t tell you how many demos I listen to (or stop listening to) where the composers seem to be after some sort of intelligentsia award, instead of just writing a song that people might enjoy hearing in their car, or while cleaning their room, or while they are finishing a blog at 2:08 AM (Lady Gag
a is on in the background on my Sirius radio).

I’m not saying that theater songs have to be Britney-like trite or super-simplistic (God knows Green Day isn’t trite, and Elton’s stuff is some of the richest musical and lyrical material you’ll ever listen to).

But they’ve all got melody and hooks and songs that people like to sing along to.

And that will put you at the top of charts and the Tony Awards.

My Top 5 Moments from Last Night’s Tony Telecast

Just like last year, here are five of my favorite things from last night’s Tony telecast.

1.  Sometimes the best speech is none at all.

Marian Seldes shocked (and scared) the crowd in the most classy way possible, by not saying one word after walking on stage to accept her Tony Award for Lifetime Achievement.  It was a little odd, and a little awesome, all rolled into one legend.

2.  Neil Patrick who?

Sean Hayes tore up the stage as Annie, Spiderman, and as a straight guy making Kristin Chenoweth weak in the knees with that tongue-down of an opener. He was as good of a host as we could have asked for.  You’ve been raked through the ridiculous mud over the past couple of months, Sean.  But your gracious talents have made you even sexier to all sexes because of it.

3.  The straight play mashup.

You gotta give the Tonys some credit.  Every year they try a new way to include the straight plays in the telecast.  This year, it was a pair of starry performers from each play describing the plot to the audience (and if those descriptions were getting awards, then Next Fall would have won hands down), as well as remix mashup of straight play b-roll from all of the plays on Broadway this season.  If you didn’t see it, imagine a 17-year-old club kid who also loves straight plays making a three minute tribute to post to his YouTube account.  Was it successful?  I don’t know, but the effort deserves some applause.

4.  Watching a Tony Award audience try to clap in rhythm to Green Day.

Having Green Day on the show was like striking Radio City with a lightning bolt. Has there ever been that much pyro on a Tony Awards telecast?  It was awesome, and hopefully it got the younger crowds at home to tune in.  The older crowd that was in the audience at RCMH however, seemed to have a little trouble finding their punk-groove (did you see Michael Douglas trying to get into it with that head bob?).  The issue of this audience not naturally being in tune with this type of music was made much more obvious later, when American Idiot failed to win the Tony.  But thank you Green Day for bringing your passion and your popularity to our stage.

5.  The Tony for good sports goes to . . 

Bebe and Nathan.  No last names required.  They didn’t need to co-present. They didn’t need to poke fun at themselves.  They didn’t even need to be anywhere near the building.  But they did it all, and once again proved why they are the stars that they are.  This business is going to take us all on a ride.  You’ll be up one second, and down the next.  You’ll have your face on a billboard, and then you’ll be fighting for a bio in a program.  But maintaining a level head about it all is what makes people fall even more in love with what we do.

Other fave moments from the show included the LED wall (less sets, less expenses), Catherine Zeta’s acceptance speech, the Matthew Morrison and Lea Michele Glee-fest, and Daniel Radcliffe presenting with the 2-foot-taller Katie Holmes.

Overall, I’m giving the telecast a B+.  An A- would have been easy, if it weren’t for the many sound f-ups.  I mean, you found a way to bleep out “MIND F***” from American Idiot‘s performance, but you can’t get the mic to work for others?

What were your favorite moments from this year’s Tony Awards?

And stay tuned for the announcement of our Producer’s Perspective Tony Pool winner tomorrow!  Someone is getting an iPad!

My Tony predictions and yours revealed.

Can you hear it?

Every year, as Tony Sunday approaches, you can hear the chatter about who’s gonna go home with a trophy get louder and louder.

So let’s add to it!

My predictions are always like the odds for the horses running in the Kentucky Derby  they change daily until the event.  And this year, since we have so many neck-and-neck races, picking the winners is harder than ever.

But I’m going to give it a shot!

I’m also going to reveal what the majority of YOU think is going to win!  Last night we closed our official Producer’s Perspective Tony Pool with a record number of players!  We had well into the THOUSANDS of entries!  Woo-woo!  And one of those lucky contestants is going to win an iPad!

So here goes . . . here are my predictions for this year’s Tony Awards, and yours (along with the percentage that made up the majority so you can see how tight the race is).  Remember, these are not “should win” . . . they are “will win” predictions.

Here goes:

1.  Best Sound Design of a Musical

My Prediction:  Robert Kaplowitz (Fela!)

Your Prediction:  Robert Kaplowitz (Fela!) – 36.3%

The Sound Design award is one of the newest Tonys we have, so it’s even harder to predict what the voters will do.  I’m with you . . . Fela’s music was so unique, so its sound had to be as well.

2.  Best Sound Design of a Play

My Prediction:  Acme Sound Partners (Fences)

Your Prediction:  Adam Cork (Enron) – 31.1%

Sorry guys, I don’t think enough of the voters saw Enron to make it a winner.  I’m going with what I call ‘Tony by Association’ and giving the award to Acme for Fences.  The sound at Fences was terrific, but the votes that will put it over the top are for the show as much as they are for the sound.

3.  Best Lighting Design of a Musical

My Prediction:  Kevin Adams (American Idiot)

Your Prediction:  Kevin Adams (American Idiot) – 57.3%

The lighting in Idiot is amazing . . . but Adams also benefits from the cool projection designs that voters probably lump into the same category (even though he didn’t do them).  And that begs the questions . . . with video and projections a part of more and more shows every year . . . will we see a Projection or Video Design Tony soon?

4.  Best Lighting Design of a Play

My Prediction:  Neil Austin (Red)

Your Prediction:   Neil Austin (Red) – 43.1%

Ironically, I think Neil is going to get this award for the brilliant lack of lighting used in an early scene of this play.  For those of you who haven’t seen the show, there is a incredible display of the contrast between theatrical lighting and stark work-light early on that makes you realize just how talented all lighting designers are, and Neil will get a trophy for helping teach us that lesson.

5.  Best Costume Design of a Musical

My Prediction:  Matthew Wright (La Cage)

Your Prediction:   Matthew Wright (La Cage) – 69.6%

Making men pretty has a high degree of difficulty and my readers and I agree, that’s worth a Tony.

6.  Best Costume Design of a Play

My Prediction:  Catherine Zuber (The Royal Family)

Your Prediction:   Catherine Zuber (The Royal Family) – 43%

When in doubt, go with the period piece.  Zuber’s work is always beautiful, and she’ll snag another Tony for her work on Family.

7.  Best Scenic Design of a Musical

My Prediction:  Christine Jones (American Idiot)

Your Prediction:  Christine Jones (American Idiot) – 50.1%

When American Idiot was steamrolling into town, I don’t think anyone thought it would be cleaning up the design awards, but you and I agree that this’ll be the second Tony for the rock opera so far.  But with the strange lack of nominations for Idiot in other categories (Orchestrations anyone?  Direction?), could the design awards be the only awards that Idiot wins?

8.  Best Scenic Design of a Play

My Prediction:  Christoper Oram (Red)

Your Prediction:  Christopher Oram (Red) – 33.2%

You all weren’t so sure about this one, with 33.2% making up the majority.  I’m not sure either.  Part of me wants to say Fences again, but ultimately, I think the title of the play, Red, screams design elements, which will help Chris grab an award for his cool way of putting canvases on stage.

9.  Best Orchestrations

My Prediction:  Daryl Waters and David Bryan (Memphis)

Your Prediction:  Daryl Waters and David Bryan (Memphis) – 42.2%

No contest here.  The only original score grabs the orchestration award.

10.  Best Choreography

My Prediction:  Twyla Tharp (Come Fly Away)

Your Prediction:  Bill T. Jones (Fela!) – 44.2%

Oh, readers, we were seeing eye to eye for so long.  We differ on this one.  This is where I think Tony voters like to spread the love around.  Come Fly Away won’t get honored in any other categories on Tony night, so Twyla will be given the category that makes the most sense for the show . . . and she deserves it.  Just how in the heck does she get bodies to move like that anyway?  Don’t feel bad for Bill.  His love is coming.

11.  Best Direction of a Musical

My Prediction:  Bill T. Jones (Fela!)

Your Prediction:  Terry Johnson (La Cage) – 41.9%

Terry did brilliant work in making this production of La Cage stand out not only from the recent revival, but also from all previous productions of the show.  But I think the voters will want to make sure Fela! gets recognized, and this is how they’ll do it.

12.  Best Direction of a Play

 

My Prediction:  Kenny Leon (Fences)

Your Prediction:  Michael Grandage (Red) – 32.8%

For a long time, I was with you all.  I was giving it to Grandage as well, but I flip-flopped and am predicting Leon will have new hardware for his mantle after Sunday night, partly because of the amazing performances in Fences, and partly because of the body of his Wilson work, and the fact that he has never won before.

13.  Best Performance by a Featured Actress in a Musical

 

My Prediction:  Katie Finneran (Promises, Promises)

Your Prediction:  Katie Finneran (Promises, Promises) – 43.3%

I think we’d all love to see Angela get a 6th award, but how can we not give this one to Katie Finneran? You know how they added songs for this revival that weren’t in the original?  After seeing Katie’s scene, I couldn’t help but wish they had written a new scene for her at the end of the second act!

14.  Best Performance by a Featured Actor in a Musical

My Prediction:  Robin de Jesus (La Cage)

Your Prediction:  Bobby Steggert (Ragtime) – 23.2%

Only 1.9% separated three of the nominees in your choices for the winner of this tight category.  While a lot of folks are pulling for Bobby to pull it out, at the end of the day, I just don’t think enough voters caught his Younger Brother.  So, I’m going with the scene-stealing de Jesus.

15.  Best Performance by a Featured Actress in a Play

My Prediction:  Scarlett Johansson (A View from the Bridge)

Your Prediction:  Scarlett Johansson (A View from the Bridge) – 36%

Only 36% of you think Scarlett’s going to take this one?  I’m shocked, cuz this one is a lock.  Give it to the girl, already.

16.  Best Performance by a Featured Actor in a Play

My Prediction:  Stephen McKinley Henderson (Fences)

 

Your Prediction:  Eddie Redmayne (Red) – 31.4%

Tough, tough category, but I think Fences will get a hat trick of performance awards on Sunday, with this being the first (see below for the other two).

17.  Best Performance by a Leading Actress in a Musical

 

My Prediction:  Catherine Zeta-Jones (A Little Night Music)

Your Prediction:  Catherine Zeta-Jones (A Little Night Music) – 38.3%

Zeta seems right to me, but there has been a lot of buzz about Montego lately. This could be a big upset, in the style of Idina over co-star Kristin Chenoweth in 2004.  I picked Kristin then, and I’m picking Zeta now, just like you.

18.  Best Performance by a Leading Actor in a Musical

My Prediction:  Douglas Hodge (La Cage)

Your Prediction:  Douglas Hodge (La Cage) – 47.7%

The range of how this role is written certainly helped Hodge seal his Tony fate, but he plays every inch of that range to perfection.

19.  Best Performance by a Leading Actress in a Play

My Prediction:  Viola Davis (Fences)

 

Your Prediction:  Viola Davis (Fences) – 55.3%

Even more of you think Viola is going to win than Denzel!  And she will.

20.  Best Performance by a Leading Actor in a Play

My Prediction:  Denzel Washington (Fences)

 

Your Prediction:  Denzel Washington (Fences) – 41.5%

What a freekin’ category.  Walken, Washington, Law, Schreiber and Molina? Come on.  It’s like actor heaven.  I sort of feel these guys should be treated like the President and the Vice President and not be allowed in the same location for too long in case something happens to one or the other.  Despite the competition, Denzel will take the trophy, partly for being snubbed years ago for his performance in Caesar. He has returned, and he kicked acting a$$ in the process.  And the hat trick I spoke of earlier is now complete.

21.  Best Original Score

My Prediction: Fences 

Just kidding, just kidding.  That was a joke.  Sort of like the two play nominations that rounded out this category.

My Prediction

:  David Bryan & Joe DiPietro (

Memphis)

Your Prediction:  David Bryan & Joe DiPietro (

Memphis) – 74.7%

Rumor has it that David Bryan is missing a Bon Jovi concert to be at the awards. I think he picked the right day to play hookey, and so did you.  I can’t wait to hear his acceptance speech.

22.  Best Book of a Musical

My Prediction:  Dick Scanlan and Sherie Rene Scott (Everyday Rapture)

Your Prediction:  Joe DiPietro (Memphis) – 41.3%

You’ve got a point, readers. You’ve got a point. Memphis is a traditional book musical.  DiPietro is loved by everyone in the biz. But so is Sherie, and I think since DiPietro will have some other trophies to play with after Sunday, this one will surprise everyone and go to Sherie and Dick.

23.  Best Revival of a Play

My Prediction:  Fences

Your Prediction:  Fences – 61%

I hate to see Bridge lose, because I loved it so, but Fences was an event that demands to be rewarded.

24.  Best Revival of a Musical

My Prediction:  La Cage aux Folles

Your Prediction:  La Cage aux Folles – 64.6%

Yet another reason why I wished I would have produced this one is that it’s gonna win the Tony.

25.  Best Play

My Prediction:  Red

Your Prediction:  Red – 53%

Tony voters like “smart” plays, and Red qualifies.  It’s so smart, it even feels British, doesn’t it?  Yet it was written by a guy who grew up in Jersey.  My money is on him bringing that Tony back home to Jersey Monday morning.

26.  Best Musical

My Prediction:  Memphis

Your Prediction:  Memphis – 47.8%

You know what was interesting about your predictions?  47.8% (the majority) picked Memphis.  Second place at 29.6% was NOT American Idiot.  It was Fela!Idiot came in third at 19.3%.  It seems that no matter how many folks like Idiot, they also don’t think it represents the type of musical that gets awarded on Tony night . . .and I have to agree.  Memphis feels like the big Broadway musical that voters like to pin their badge of approval on.

Well there it is.  Another year of predictions.  I promise I’ll let you know the winner of the pool and the iPad by Wednesday of next week at the latest, so stay tuned.  I also promise to give you my score as well, no matter how humiliating.

For those of you who want to play in another pool, make sure you come to my Tony Party on Sunday night.  We’re giving away a Nintendo Wii to whomever wins that pool!  Click here to reserve before it’s sold out.

But wherever you are . . . Enjoy Tony night!  And make sure you tell everyone you know to tune in. Let’s see what we can do about these ratings, shall we?

2nd Annual ITBA Nominations Announced

The Independent Theater Bloggers Association, of which I am a proud member and co-founder, announced its 2nd set of nominations for excellence in the theater recently.

The list is as follows:

BROADWAY

OUTSTANDING NEW BROADWAY MUSICAL
American Idiot
Everyday Rapture
Fela!

OUTSTANDING NEW BROADWAY PLAY
In The Next Room (or the vibrator play)
Next Fall
Red
Superior Donuts
Time Stands Still

OUTSTANDING BROADWAY MUSICAL REVIVAL
Finian’s Rainbow
La Cage aux Folles
A Little Night Music
Ragtime

OUTSTANDING BROADWAY PLAY REVIVAL
Brighton Beach Memoirs
Fences
Lend Me A Tenor
Oleanna
A View From The Bridge

OFF-BROADWAY

OUTSTANDING NEW OFF-BROADWAY PLAY
Circle Mirror Transformation
Clybourne Park
The Orphans Home Cycle
The Temperamentals

OUTSTANDING NEW OFF-BROADWAY MUSICAL
Bloodsong of Love
Bloody Bloody Andrew Jackson
The Scottsboro Boys
YANK!

OUTSTANDING OFF-BROADWAY REVIVAL (PLAY OR MUSICAL)
The Glass Menagerie
A Lie Of The Mind
Twelfth Night

OFF-OFF BROADWAY

OUTSTANDING OFF-OFF-BROADWAY SHOW
Alice In Slasherland
Girls In Trouble
In Fields Where They Lay
Lear
MilkMilkLemonade
Rescue Me
Samuel & Alasdair: A Personal History of the Robot War
The Soup Show
Viral

UNIQUE OFF-OFF-BROADWAY EXPERIENCE
The Lily’s Revenge

CITATION FOR EXCELLENCE IN OFF-OFF-BROADWAY THEATRE
Company XIV

ALL VENUES

OUTSTANDING SOLO SHOW/PERFORMANCE
A Boy And His Soul
Zero Hour

OUTSTANDING ENSEMBLE PERFORMANCE
Circle Mirror Transformation
A Lie Of The Mind
Twelfth Night

Winners will be announced on May 20th, along with citations for excellence by individual performers.

For more info on the ITBA, including how to join, visit www.theaterbloggers.com.

Congrats to all and good luck!

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