Let the truth spark your original story.

Creating original works, whether they are screenplays, sonnets or shows, is incredibly difficult.  This is one of the reasons why 64% of the productions on Broadway over the last 30 years have been adaptations (Another reason?  People want them more than you think).

Often I get what I think are great ideas for new productions.  Maybe I’ve imagined a setting or a storyline that I think would translate well to the stage.

But then what?  Either I have to put my fingers to the keyboard and crank the sucker out, or I have to commission a writer to take my idea and spin it into gold.

Once you get going, the writing comes easier.  An object in motion tends to stay in motion, and one at rest . . . well, you know the physics.

But how do you start a totally original idea that is entirely made up?

Start with something that isn’t made up.

I always look for some specific kernel of truth to inspire me or my writers to start the story.  If I’m working on a show that takes place in a small town in New Jersey, I’ll find a small town in New Jersey, take a Zip Car across the bridge and spend a day there, soaking up the specifics about that town.  If I’m working on a show that is about a duck hunter, you can bet I’m going to track down an actual duck hunter and hang out with him or her for a day or two.  If I’m doing a show about medieval times, you can bet I’m going to go back in time and . . . ok, maybe I’ll read about the middle ages instead.

Some people call this research. I call it The Story Spark Plug.

Just a little bit of truth . . . just a little bit of non-fiction . . . can beget the best original stories around.

Need an example?

Sunday night Mark Boal won the Academy Award for Best ORIGINAL Screenplay for his movie, The Hurt Locker, which is about a United States Army Explosive Ordnance Disposal team during the Iraq War.

Before writing the movie, Mark was a freelance journalist who was embedded with a bomb squad.

Huh.  I wonder where he first heard the phrase, “the hurt locker.”

Are they playing hockey in hell?

Something froze over last week.

The primary and secondary markets started working together.

As reported in Ticket News, LiveNation, an official promoter of concerts and an official pusher of the tickets for those concerts, started listing brokers on their ticketing site as another option for tickets to their events.

For an example, click here to see the event page for the upcoming Jay-Z concert at the Izod Center in East Rutherford, NJ.  (And make sure you click on the “Search Tickets” button because the interface is awesome).

It’s an admission to the public that the secondary market exists, and that it may be able to provide something that the primary market can’t.

And it’s a way for LiveNation to provide customers with all of the options, under their own umbrella.

Oh, and it’s surely a way for LiveNation to make some extra bank, because you know those brokers are paying them big time.

It reminds me of Amazon.com listing secondary sellers of books, etc., even when they have the items in stock.

We talked about the primary and secondary shaking hands before.

It looks like the partnerships have begun in other live entertainment industries.

Is ours next?

It should be.

Ken Davenport
Ken Davenport

Tony Award-Winning Broadway Producer

I'm on a mission to help 5000 shows get produced by 2025.

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