Play “Will It Recoup” and win a Kindle!

Spring is in the air (sorta), which means it’s time to play . . . (say it with me like you’re the audience of a game show) . . . WILL . . . IT . . . RECOUP!

Last year was the first time we played this fantasy Broadway investment game, and I got a bunch of great feedback about it (especially from last year’s winner, Tom L., who walked away with an iPhone), so I thought we’d play with our imagined fortunes again!

This year, I’m not giving away an iPhone (and I won’t ever again, until they release us from the horror that is AT&T).  The grand prize for this season of Will It Recoup is my new favorite toy in my Producer’s Toolkit, a Kindle!

Here’s how the game works:

There are currently nine commercial plays set to open from Jan. 1st to this year’s Tony deadline.  Your job?  Pick the ones that will recoup.  That simple . . .or is it?

I’m not including any musicals, because it would just take too dang long to find out who won the Kindle (I can barely stand how long it takes to get through one American Idol season).  Most of the plays are limited runs, or what I call, the ol’ Broadway “Smash and Grab,” so we should know the results sometime this summer.

The plays are:

A View From The Bridge
The Miracle Worker
A Behanding in Spokane
Next Fall
Looped
Red
Lend Me A Tenor
Fences
Enron

And yep, one of the plays above has already opened, so you’ve got a gimme.  

To play, just click on the link below.  It’ll take you to a survey.  Pick the recoupers and you’re in!

A few important rules:

– All entrants must be email subscribers to the blog so I can validate your entry.  If you are not an email subscriber, please subscribe by putting your email in the box to the left of this entry.  The email you subscribe with must match the email you enter in the survey.  (People have lost prizes because of failing to make sure their emails match, so please take care with this one).
– Only one entry per reader
– Recoupment must occur during the Broadway run to count as a recouped show (in other words, subsidiary income doesn’t count).

Entries will only be accepted until 2/15 at 12:01 AM so enter today!

For additional info on the game, including some tips on how to win, check out last year’s description of the game here.     

Now let’s play . . . (one more time) . . . WILL . . . IT . . . RECOUP!

PLAY WILL IT RECOUP TODAY!  WIN A KINDLE!  CLICK HERE!   

We get a lot of scripts, so we’re gonna do something with them!

Introducing . . . The Davenport Theatrical Developmental Reading Series!

It amazes me how many passionate writers are out there in the world.

Every day, scripts are submitted to us from people just like you; people that committed their idea to paper, and now want to share it with as many people as possible.

I have been brainstorming all year on how to thank all of you for your submissions and give you some sort of props for your passion to the process.

I thought about scriptwriting contests with cash prizes, group dramaturgical sessions, and so on.  At the end of the day, I decided that what writers really want, even more than money, is to have their stuff performed.

So, I am starting the Davenport Theatrical Developmental Reading Series to do just that.

This year, DTE will produce four readings of new works (plays and/or musicals) that have been submitted to us through our regular submissions process.

In other words, we’ll help you get your show off the ground!

We will pay all expenses for the reading.   We will help you find a director if you need one.  We will help you cast your reading.  We will help you with dramaturgy.  We’ll handle RSVPs.  We’ll send out a press release.  We will prepare a post show quantitative and qualitative survey for your audience.

We will help you with whatever you need help with.

And then, we’ll all hear your piece the way it was meant to be heard . . . out loud!  Because dramatic writing doesn’t exist on paper.  It needs people to speak it, and people to see it.

The readings will take place at 8 PM on the following dates:

Monday, March 15th
Monday, June 14th
Monday, September 13th
Monday, December 13th

Location, TBD.

Whether you’re a writer or not, you should save the date, because guess who’s going to be invited first?  Yep – Producer Perspective subscribers!  (If you haven’t subscribed to the blog yet, you can subscribe by putting your email in the box underneath my pic.)

How do you apply for one of the four slots?  Submit your script to us by following these instructions.  Your script will automatically be considered.  (FYI, if you’ve submitted to us in the past, no need to submit the same material to us again.  We keep records of submissions and will comb through previously received scripts for consideration.)

If we select your piece, you will be contacted by the Artistic Director of the series, Jane Caplow, who will give you further instructions.

On the day of each reading, I will announce the next project for the series (i.e. I will announce the show to be read on June 14th on March 15th).

So what is the inaugural project?

On March 15th we will christen the DTDRS with Alex Webb’s Amelia, a Civil War-set romance in which two performers embody separated loves – and a diverse wider society.

See you on the 15th!

Questions:  Email Jane.
To Submit:  Click here.

 

Ken Davenport
Ken Davenport

Tony Award-Winning Broadway Producer

I'm on a mission to help 5000 shows get produced by 2025.

Never miss a post or podcast again. Subscribe to the blog and stay in the know.

The TheaterMakers Studio Free Trial
The TheaterMakers Studio
Featured Product
Be A Broadway Star
Featured Book
Broadway Investing 101
All Upcoming Events

october, 2020

27oct8:00 pm8:30 pmThe Producer's Perspective LIVE!

Featured Webinar
Path to Production Webinar
Advertisement
X