Should the critics have reviewed Spiderman?

I don’t know about what happened at your home, but as soon as that first review of Spider-Man hit the ‘web’ Monday night, my phone started ringing, my twitter started tweeting, and things I didn’t even know I owned started buzzing.

It was a social media cyclone.

And unfortunately for Spider-Man, that cyclone did some serious damage.

But the big question on everyone’s tweets was not how a $65 million dollar musical got such bad reviews, but should the critics have thrown their stones now, or should they have waited?

There has always been a gentleman’s agreement in the theater that reviewers don’t come until they are invited.  And that agreement has held up over the years, except for a few instances, mostly involving high profile out-of-town productions.

But not this time.

Why?

Well, come on Spider-Man, you’ve got super-human powers.  Surely, you had to see this coming.  You’ve been in previews longer than it takes an actual spider to spin a web.  Did you expect them to wait much longer?  Especially with rumors circulating that you were never going to open, and especially since the business you were doing didn’t seem to incentivize you to open any sooner.  When you’re doing 1.2+ million, who cares if you’re open or not, right?

Well, the critics do.

And Monday, they had enough.

And I can’t blame them.

I give them a lot of credit, actually.  Instead of just a free-for-all of reviews starting to come out randomly, they obviously got together and orchestrated this release together.  It was a calculated strike (which is the kind that does the most damage).  And the reviews came the day after the show was last supposed to open, which is a logical, rational, and defensible date to use.

So, good for them.

If I was a Producer, I might not like it, but I had to expect it (and evident by the typical post-opening radio spots and other media that ran this morning, these Producers did expect it).

All that said, you know what the real question I was asking after I read the reviews?

It wasn’t how a $65 million dollar musical could get such bad reviews.

It wasn’t whether or not they should have been reviewed it or not.

It was, “Will the reviews matter?”

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Ken Davenport
Ken Davenport

Tony Award-Winning Broadway Producer

I'm on a mission to help 5000 shows get produced by 2025.

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