The Top 25 Longest Running UK Productions: A By The Numbers Infographic.

Jolly ho there mateys!

Wait.  That’s not British.  That’s British meets some kind of weird Australian pirate or something.

Anyway, what I meant to say is . . .  Our infographic series is back!

Over the past few bloggin’ years, we’ve published a bunch of “By The Numbers” infographics to demonstrate that while theatre is an art, it also has business trends and statistics that can’t be ignored, especially when you are building your next show.  (And in some cases, we need to know about the dominating stats so that we can come up with initiatives to change them!  Ahem! Diversity!  Ahem!  Sorry, something in my throat there.)

If you’ve missed some of our previous infographics, there’s a summary of them at the bottom of this post.

But today’s is all about our friends from across the pond — the UK!

In my continuing quest to determine what works over there (so far, all that I know is that they love jukebox musicals and shows that make fun of Americans – true, true – think about it), I decided to analyze the 25 longest running shows in the UK.  And, well, I’m going to let these numbers speak for themselves.

One thing to remember before you take a peek . . .  there is not as big of a dividing line between the size of shows and theaters in Londontown.  Off-West End ain’t like our Off-Broadway.  So, you may see some titles below that you might not think should be in the same list as, oh, a Phantom.  But, in the West End, they don’t discriminate like we do.

Hmmmm, maybe that’s one takeaway right there . . . what if there was no “Off-Broadway” . . . Hmmmm.

Enjoy the numbers!

Interested in checking out our other Infographics?  Take a look and give a click:

What do the Top Grossing Broadway Musicals have in common?

The Last 20 Years of Best Play Tony Award Winners

Musical to Movie Adaptations

How do you become one of the 50 Longest Running Broadway Shows?

Who is the Broadway Investor?

Broadway Grosses w/e 5/19/2019: On The Road Again

The following are the Broadway grosses for the week ending May 19, 2019. The Broadway grosses are courtesy of The Broadway League.

Podcast Episode 190 — The Tony Nominated Composer/Lyricist, Streamin’ Paul Gordon!

I put a little something new into the podcast this week:  music.

You’ll start hearing a bit of a tune from one of my guests’ shows in every episode going forward.

And Paul Gordon was the inspiration.

We were talking about his gorgeous tune, “Forgiveness” from Jane Eyre, and I so wanted to hear it right then I said, “We’re putting this in the damn podcast!”  So you’ll hear a bit.  (And if you want to hear more, go here to get the dang song.)

Paul‘s melodies are why I produced Daddy Long Legs.  Music is the root word of musical, so if you don’t have great music, you should hang a poster on the wall at Joe Allen’s right away.

But Paul is much more than a brilliant Composer/Lyricist.  He’s an incredible art-trepreneur who knows that having some Broadway shows doesn’t mean you can sit back and wait for the offers to come in.

We talked about what he does to get his work out there and more, including:

  • How his super successful pop career writing songs taught him how to write great musical theater songs.  (He reveals what pop songs he wrote and you won’t believe it!)
  • Getting the courage to tell a Tony Winner that he didn’t want to change his show, even when he had never worked in the theater before!
  • Why he started StreamingMusicals.com as a way to showcase his and YOUR work – and how it already landed him a licensing deal.
  • What he learned from his first Broadway show, Jane Eyre, and what he’d do differently next time.
  • Where he gets his ideas and what he does first.

Enjoy this podcast and when you’re done, check out Daddy Long Legs on Broadway HD or get the recording here.  It’s one of the most beautiful things I’ve produced . . . thanks to Paul.

Click here for my podcast with Paul!

Listen to it on iTunes here. (And if you like the podcast, give it a great review while you’re there!)

Download it here.

Theaters Aren’t The Only Place To Do Theatre Anymore

My first experience with “site-specific” theatre was in 1995 with a little musical called J.P. Morgan Saves The Nation, written by a then-unknown composer/lyricist named Jonathan Larson (the NY Times called his score “peppy”).  It took place on the steps of Federal Hall downtown.

But this blog isn’t about site-specific theatre.

While I do think we’re on the verge of seeing plays and musicals pop up in office buildings, bars, shopping malls, and everyplace else in the next few years (thanks to the high cost of actual theaters, not to mention the lack of availability), site-specific theatre is so 1995.

In the past week, a few blips have appeared on my trend-spotting sonar that make me think we’re on the verge of another kind of revolution.  And this one, surprise surprise, has all to do with technology.

First, I can’t help but notice that Netflix has taken a more aggressive approach to capturing theatrical content as of late and not just the big branded Springsteen-like shows.  They shot a movie version of American Son.  They announced a movie version of that Cinderella story of a musical, The Prom.  And now, the Off-Broadway one-woman show, Douglas, will be the latest addition to their growing theatrical portfolio.

Second, (spoiler alert!) but I spend a lot of time on my upcoming podcast with Tony Nominated art-trepreneur Paul Gordon (airs this coming Monday) talking about his StreamingMusicals platform, which is off to a strong start (and got him a licensing deal for a new musical that has never played NYC).  I expect the next generation of theatre-makers is going to see this approach as a way to get their shows into the world at a fraction of the cost that typically comes with putting up an actual production.  (And speaking of streaming, we just got a report on my own production of Daddy Long Legs from my friends at  BroadwayHD, and it’s exceeding expectations in the number of views.  Check it out here.)

Third, I caught a glimpse of an ad on a subway platform the other day for a new digital platform called STAGE, which states, “From classic performances to edgy icons and undiscovered gems, musical theatre and performance is the cornerstone of STAGE.”  What’s interesting about this isn’t the network itself, but the ad . . . which ain’t cheap.  That says to me that STAGE ain’t effin’ around.  They see a big future in the platform and are betting on it.

And fourth (because you know, everything comes in threes, so when there are four things, you definitely have a fourk-ing trend), and perhaps most interesting of all . . . a new podcast musical was released this week, called Next Thing You Know by Joshua Salzman and Ryan Cunningham, starring Patti Murin, Colin Hanlon, Jay Armstrong Johnson and Lauren Blackman.  This on the heels of the high profile John Cameron Mitchell podcast musical “Anthem: Homunculus,” starring Patti Lupone to name a few (because she counts as a few).  Instead of readings and workshops, these creators have turned to tech to get attention for their new works.  (I wonder if critics will start reviewing them?)

All of this makes me think . . . are streaming and podcast recordings the new “concept recording,” made famous by Andrew Lloyd Webber with Jesus Christ Superstar? We all know how that worked out.  Answer?  Yes, yes they are.

And all of this points to one thing:  an uprising is underfoot.

The modern-day creators, who are part of the DIY generation, who grew up able to create and distribute their films and music without gatekeepers, are now finding ways to distribute theatre in the same way.

And we’re just at the beginning of it.

If you’re a theatre-maker, you should start to imagine other ways to get your shows the attention they deserve.

Because over the next ten years, the traditional walls of Broadway and Off-Broadway are going to come crumbling down as the next generation of creators continue to think outside of the . . . box theater.

– – – – –

Do check out Daddy Long Legs on BroadwayHD, and then guess how much it cost me to shoot something that high of a quality.  And then imagine how you can do it for your show . . .

Broadway Grosses w/e 5/12/2019: We Want More of Morrissey

The following are the Broadway grosses for the week ending May 12, 2019. The Broadway grosses are courtesy of The Broadway League.

SIGN UP BELOW TO NEVER MISS A BLOG

X