And The 2020 Nominees for the Streaming Theater Awards Are . . .

The Tony Award nominations were last week . . . so don’t you think it’s time for The Streaming Theater Awards?

It is!

Except they don’t exist.  Yet.

Streaming Theater is a thing.  It’s not a fad.  It’s not a phase.  And it’s not a lesser art form.

It’s a thing.

It’s a new form of entertainment that is going to stick around post-pandemic (and let that be soon).

And there has been so much of it already, that these productions deserve their own recognition and their own awards (Which will, of course, market the form, and make it an even bigger thing.  Awards do that – so seek them out for your niche – or create them yourself!)

So if you got excited about the subject of this blog, and opened it hoping to see your name in the list of the first annual Streaming Theater Award Nominations . . . then maybe you’re the one to start ’em.

– – – – –

Want to get into a serious conversation about streaming theater?  Hear from the experts here.

P.S.  The TheaterMakers Summit with Christopher Jackson, Thomas Schumacher, Sonya Tayeh, Stephen C. Byrd, Ben Brantley and so many more is in just 24 days!  Get your ticket here. 

 

Tonight on the Livestream: Tony-winner and 3-Time Academy Award-Nominee, John Logan

What does the movie the massive Hollywood action movie, Gladiator, have in common with the two-hander play Red, about artist Mark Rothko?

And what does Red have in common with the ultimate Broadway extravaganza Moulin Rouge! The Musical?  And what does Moulin Rouge! The Musical have in common with the Bond film, Skyfall?

John Logan.

I mean, that’s crazy, right?  Who could be so talented that they could write all those different genres . . . for different mediums?

John Logan.

And who is on my livestream tonight?

JOHN LOGAN!

Tune in to hear how this three-time Academy Award-nominee and Tony Award-winner went from writing plays to writing screenplays back to plays and now writes everything in between.

And hear what he thinks about his latest Tony nomination for Moulin RougeThe Musical!

I’m LIVE with John tonight at 8 PM EDT!  Set a reminder here!

(Oh, and I’ll also be announcing some BIG news about the livestream, so don’t miss tonight’s episode!)

– – – – –

You can catch me every TUESDAY at 8pm EDT (7pm CDT/ 6pm MDT/ 5pm PDT).

Next week:  Cheyenne Jackson (Altar Boyz, Thoroughly Modern Millie, Aida)

To learn more about our guests and to support The Actors Fund, visit www.TheProducersPerspective.com/LIVE.

P.S. The TheaterMakers Summit with Christopher Jackson, Charlotte St. Martin, Dominique Morisseau, Ben Brantley and so many more is in just 25 days! Get your ticket here.

You know what is really cool about streaming theater?

You can decide you want to go at the last possible second and still make the curtain!

So if you haven’t gotten your ticket yet to wine taste wtih funny mean girl Kate Rockwell TONIGHT at 7 PM there’s still time.

In fact, even if it’s past 7 PM you can still buy a ticket!  (And because it’s a streamer, that ticket is only $15.)

(And while it ends around 8, if you want to buy a ticket after that, I’m sure Kate would be fine with that too.)

Learn more about the event and learn more about wine here.  And get your ticket to Wine Tasting 101 with Kate Rockwell, TONIGHT, Saturday, October 17th at 7 PM here!

It’s live.  And it’s Kate.  So you never know what the @#$% is going to happen.

See you there!

Here’s what I think the Screen Actors Guild and Actors Equity should do.

When Bernardo and Riff see each other at the “Dance at the Gym” in West Side Story, it’s obvious that at some point soon . . . there’s going to be a rumble.
 
This past summer, when TheaterMakers were struggling to figure out . . .
 
1) How to keep developing shows
2) How to earn to a living
 
. . . a question kept coming up that should have made me realize that we had our own rumble in the works.
 
That question?
 
“If the reading or production is on Zoom, how do we deal with the union?”
 
No one knew the answer. (I’m not even sure the unions did either.)
 
And that’s what has started the rumble between Actors Equity and SAG that made the NY Times this week.
 
I don’t blame the unions for not knowing what “the deal” is with streaming theater. It’s not like any one of us ever thought this would be a thing . . . that we’d have to solve . . . in the middle of a pandemic.
 
Not to mention that Actors Equity and SAG are like every other company in our industry. Producers, Agents, Regional Theaters and more. We’re all struggling to figure out how to keep our lights on . . . with less staff than we had since we started our business.
 
So, Actors Equity is claiming jurisdiction. SAG is claiming jurisdiction. And the actors? Well, they want to work.
 
And here’s the thing . . . Producers want to hire them.
 
My advice?
 
I’m advocating for The “Moonlighting” solution.
 
Remember that show? Bruce Willis. Cybil Shepard. She was his straight-laced boss; he was her wild-and-crazy detective. And they couldn’t have fought more. They fought so much . . . that you knew at one point . . . they’d make out.
 
Yep, I’m proposing that SAG and Actors Equity should make out merge.
 
This is an opportunity to not only solve THIS streaming issue, but a host of other issues that are going to come out of this crisis. Not to mention the issues that existed BEFORE all this. (Whenever our theater actors appear on TV (Morning shows, The Tonys, etc) there is so much extra paperwork that after over 25 years in the biz, I still don’t understand it!)
 
Wouldn’t it be easier to have the actors under one union roof?
 
You’d reduce friction for the hiring of these actors, which means more actors would get hired.
 
Or the unions could keep fighting.
 
But here’s what happens . . . when two people fight, everyone else avoids it so they don’t get caught in the melee.
 
That means, fewer people will get hired. Or they’ll get hired outside of the unions.
 
And no one wants that.
 

Believe it or not, It’s the 2020 Tony Award Nominations!

This year it’s not just about whether or not you agree with the nominees . . . it’s whether you agree with the whole idea of having Tony Awards or not!

But we’re not going to talk about that right now.  Because you know what?  For the nominees below, it’s awesome.  And let’s not “Thursday morning quarterback” it . . . because let’s face it, this is an impossible situation for the Tonys.

So I admire them for making a decision and going for it.  And I congratulate all the nominees below (including myself – because I was nominated for Frankie and Johnny!) and I can’t wait to watch the show and jump up and down in my living room for all the winners.

Here here, nominees!

 

Best Play
Grand Horizons by Bess Wohl
The Inheritance by Matthew Lopez
Sea Wall/A Life by Simon Stephens and Nick Payne
Slave Play by Jeremy O. Harris
The Sound Inside by Adam Rapp

Best Revival of a Play
Betrayal by Harold Pinter
Frankie and Johnny in the Clair de Lune by Terrence McNally
A Soldier’s Play by Charles Fuller

Best Musical
Jagged Little Pill
Moulin Rouge! The Musical
Tina: The Tina Turner Musical

Best Performance by an Actress in a Leading Role in a Play
Joaquina Kalukango, Slave Play
Laura Linney, My Name is Lucy Barton
Audra McDonald, Frankie and Johnny in the Clair de Lune
Mary-Louise Parker, The Sound Inside

Best Performance by an Actor in a Leading Role in a Play
Ian Barford, Linda Vista
Andrew Burnap, The Inheritance
Jake Gyllenhaal, Sea Wall/A Life
Tom Hiddleston, Betrayal
Tom Sturridge, Sea Wall/A Life
Blair Underwood, A Soldier’s Play

Best Performance by an Actress in a Leading Role in a Musical
Karen Olivo, Moulin Rouge!
Elizabeth Stanley, Jagged Little Pill
Adrienne Warren, Tina: The Tina Turner Musical

Best Performance by an Actor in a Leading Role in a Musical
Aaron Tveit, Moulin Rouge!*

Best Performance by an Actor in a Featured Role in a Play
Ato Blankson-Wood, Slave Play
James Cusati-Moyer, Slave Play
David Alan Grier, A Soldier’s Play
John Benjamin Hickey, The Inheritance
Paul Hilton, The Inheritance

Best Performance by an Actress in a Featured Role in a Play
Jane Alexander, Grand Horizons
Chalia La Tour, Slave Play
Annie McNamara, Slave Play
Lois Smith, The Inheritance
Cora Vander Broek, Linda Vista

Best Performance by an Actor in a Featured Role in a Musical
Danny Burstein, Moulin Rouge!
Derek Klena, Jagged Little Pill
Sean Allan Krill, Jagged Little Pill
Sahr Ngaujah, Moulin Rouge!
Daniel J. Watts, Tina: The Tina Turner Musical

Best Performance by an Actress in a Featured Role in a Musical
Kathryn Gallagher, Jagged Little Pill
Celia Rose Gooding, Jagged Little Pill
Robyn Hurder, Moulin Rouge!
Lauren Patten, Jagged Little Pill
Myra Lucretia Taylor, Tina: The Tina Turner Musical

Best Book of a Musical
Jagged Little Pill, Diablo Cody
Moulin Rouge!, John Logan
Tina: The Tina Turner Musical, Katori Hall with Frank Ketelaar and Kees Prins

Best Original Score (Music and/or Lyrics) Written for the Theatre
A Christmas Carol, Christopher Nightingale
The Inheritance, Paul Englishby
The Rose Tattoo, Fitz Patton and Jason Michael Webb
Slave Play, Lindsay Jones
The Sound Inside, Daniel Kluger

Best Direction of a Play
David Cromer, The Sound Inside
Stephen Daldry, The Inheritance
Kenny Leon, A Soldier’s Play
Jamie Lloyd, Betrayal
Robert O’Hara, Slave Play

Best Direction of a Musical
Phyllida Lloyd, Tina: The Tina Turner Musical
Diane Paulus, Jagged Little Pill
Alex Timbers, Moulin Rouge!

Best Choreography
Sidi Larbi Cherkaoui, Jagged Little Pill
Sonya Tayeh, Moulin Rouge!
Anthony van Laast, Tina: The Tina Turner Musical

Best Orchestrations
Tom Kitt, Jagged Little Pill
Katie Kresek, Charlie Rosen, Matt Stine, and Justin Levine, Moulin Rouge!
Ethan Popp, Tina: The Tina Turner Musical

Best Scenic Design of a Play
Bob Crowley, The Inheritance
Soutra Gilmour, Betrayal
Rob Howell, A Christmas Carol
Derek McLane, A Soldier’s Play
Clint Ramos, Slave Play

Best Scenic Design of a Musical
Riccardo Hernández and Lucy Mackinnon, Jagged Little Pill
Derek McLane, Moulin Rouge!
Mark Thompson and Jeff Sugg, Tina: The Tina Turner Musical

Best Costume Design of a Play
Dede Ayite, Slave Play
Dede Ayite, A Soldier’s Play
Bob Crowley, The Inheritance
Rob Howell, A Christmas Carol
Clint Ramos, The Rose Tattoo

Best Costume Design of a Musical
Emily Rebholz, Jagged Little Pill
Mark Thompson, Tina: The Tina Turner Musical
Catherine Zuber, Moulin Rouge!

Best Lighting Design of a Play
Jiyoun Chang, Slave Play
Jon Clark, The Inheritance
Heather Gilbert, The Sound Inside
Allen Lee Hughes, A Soldier’s Play
Hugh Vanstone, A Christmas Carol

Best Lighting Design of a Musical
Justin Townsend, Jagged Little Pill
Justin Townsend, Moulin Rouge!
Bruno Poet, Tina: The Tina Turner Musical

Best Sound Design of a Play
Paul Arditti and Christopher Reid, The Inheritance
Simon Baker, A Christmas Carol
Lindsay Jones, Slave Play
Daniel Kluger, Sea Wall/A Life
Daniel Kluger, The Sound Inside

Best Sound Design of a Musical
Jonathan Deans, Jagged Little Pill
Peter Hylenski, Moulin Rouge! The Musical
Nevin Steinberg, Tina: The Tina Turner Musical

 

*In categories with only one nominee listed, such as Leading Actor in a Musical, an affirmative vote of 60 percent of the total ballots cast will grant an award in that category

Ken Davenport
Ken Davenport

Tony Award-Winning Broadway Producer

I'm on a mission to help 5000 shows get produced by 2025.

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